#theme question

[cherryfennec]

Summer Times

Hi! I'm finally back from my two week abroad trip!

[sop-soap]

Making a web weave seemed fun. Here’s one about being “masks the whole way down” (@/notquiteaghost) or something along those lines

Song is Metaphor by the crane wives

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[wisteriasymphony]

every time a tumblr post mlb rewrite mentions the fact that they're taking out marinette's 'obsessive stalker' characteristics an angel gets run over by a steamroller and fucking dies

[varilien]

you know me, in the way that matters most.

[waitineedaname]

feeling insane about the deep dream extra again. I like to make jokes about shen qingqiu seeing binghe hugging his corpse and deciding to fuck that man to qi deviation, but when I think about the emotions communicated in that moment it's so much more. shen qingqiu just got insight into a moment he wasn't around for, when binghe was grieving him so terribly, when binghe still didn't have answers for sqq's actions, when he kept reenacting a moment of nonsexual physical intimacy that left such a profound effect on his psyche

and shen qingqiu obviously can't change what happened in the past, but what he can do upon waking up is kiss binghe, press his hand to his beating heart, affirm (out loud!! a big deal for shen qingqiu!!!) that he wants him -- communicating with his actions that "I was gone then, but I'm here now, I'm alive, I won't be leaving, I love you and want you even when it hurts"

[probablyanalienindisguise]

I contracted a plague again thus am just sending random doodles I've done and just haven't posted yet

My secret (I enjoy using cat cuddling photos for references)

[demigods-posts]

it's no coincidence that zoe died staring at the stars. and no doubt did the stars stare back, offering her a warm welcome and a light to guide her home. it's no coincidence that silena also died staring at the stars. a skylight opening and revealing beckendorf, her guiding light home. but this begs the question. as thalia died atop half-blood hill, was she too staring at the stars? did she long for an end, for the sky to open and the stars to welcome her home like she had always read about? and does she now like awake at night, staring at the stars, long for the peace her newfound immortality has now made inattainable? because i never stopped thinking about it.

[pwaise-hestia]

💁🏻‍♀️

[halbarryislife]

guys hear me out i think he might be ted kord (insp.)

[ganondoodle]

(OC Lore and design time!)

(it got longer again ... sorry ... idk how to make things short, i just need to talk, but i guess if you can read the written stuff in the pic thats the barest bare bones of what i wrote here)

i was asked what new lore story stuff i had thought about that made me sad which i mentioned a bit ago, and while that is too hard to explain given all the missing context i thought i could at least talk about lore having to do with it :D

so, (Lord) Eadrya is one of my fav OCs (big blue lad, here a rough sketch in humanoid form) they are both one of if not THE most powerful demon alive and the most battle trained;

at the mid point of the story the demon world gets invaded by the celestials (the angel inspired things i talked about in the previous lore post with Xaror) and Shargon, as the king, should be their first and only frontline, but at this point his life is only being sustained by maschinery after being mortally wounded, he cannot fight (he realizes what is going on, rips himself off the maschinery to get at least his youngest child to safety, barely managing it before dying- the guardian, the demons god, takes over his body to attempt to fight against the celestials but cant keep itself alive long enough since its host is already dead) Eadrya takes the role of the frontline fighter (despite being very full of themselves and aggressive they care about their 'job' of protecting their own, also giving them the chance to show off just how strong they are); the fight was going well for them all things considered, but when the guardian activates it drains the power of all elemental lords (which Eadrya is one of, and since they have the most strength it also takes the most from them), so much so that they lose the fight and suffer deadly wounds (the worst being a spear through the chest made of a material that grows hard, root-like formations when in contact with demonic blood like a fungus but worse, also stopping any self healing processes) after the guardian falls apart it creates a huge shockwave of energy that stuns every living thing within a certain distance and possibly more-

Eadrya (in true demon form, so like a blue whale in size at least) was likely taken through an active gateway to the human world in a large tidal wave also created by the guardians fall; they wash up in the harbor of a small secluded village, the head of which is 'lady 13'; although never having seen a demon before and everyone being afraid (largely thinking its a strange hurt animal, only she suspected otherwise), they still gather all villagers to pull out the celestial spear, which is diffcult and brutal given that its already taken root, but the village lacked both knowledge and means to help any other way- doing so damaged their heart which is how they were able to collect samples of all three demonic blood types ('normal' -red like humans-, energy -essentially purely magic- and heartblood -highly concentrated energy only found within the heart of a demon and the only one to contain genetic material) (this is the start of Eadryas character arc, having to deal with the fact that their world is likely destroyed, them failing what they didnt think they could fail, having lost a battle so badly (even if not really their fault) for the first time and not knowing if literally anyone else has survived .. also being now stuck in the human world, which they dont like)

Lady 13 (placeholder name? stands for experiment 13) is a human that was tricked by demon hunters to enroll into a series of experiments trying to create hybrids of demons and humans, which they hoped would be powerful and easily controllable tools for their endeavours, though the two are inherently not compatible, they tried grafting body parts of demons on humans to make them compatible- all experiments failed except for her, more or less, though she never got to see the hybrid she carried and was then told it had died too, they threw her out believing she wouldnt survive much longer either and all such experiments were cancelled due to the high cost of human life, research material (demons are still rare) and upkeep with no successful results Lady 13 survived though (perhaps even via the pirates picking her up?) and she ended up living in said small village far away, hiding her half demonic body, though most know there soemthing 'wrong' with her (her being this tall when it doesnt fit the rest for one), only few know the full extent; she enjoys the life she has now, perhaps on the more poor side but safer and more loved than ever before; she largely lead the efforts to try and help Eadrya when they ended up in the harbor, though there wasnt that much anyone could do it was still enough- they leave immediately after waking up, but return after really having nowhere to go and struggling to deal with everything that has happened; over time (probably years) they start to open up towards the people there (though not .. very much) enough to get rather close with Lady 13 too- she actually falls madly in love but after Eadrya (extremely aro/ace) rejects all her attempts quite clearly she respects their boundaries

However, after hearing news of potential demon sightings Eadrya decides to leave in hopes of not being the last demon left after all; Lady 13 then decides to reveal her secret to them (though hearing and seeing what lengths hunters would go to for their experiments makes them absolutely seething with rage- she insists on not being out for revenge) and asks if they would be willing to donate a small amount of heartblood; shes always wanted to be a mother but is now incompatible with humans too- through things she picked up back at the experiments facillity, hers and her doctors research she is sure that is all that is needed, she dares to ask since she does not know when, if ever, she will meet another demon, much less one she could actually trust enough for this though Eadrya hesitates (why would she want to go through the same thing again that didnt work and threatened her life, if it does work, do they want to be involved with any of this? what if hunters find out it worked after all?) but after her ensuring that they would have no part in it other than giving up a little blood and would not be considered a parent in any way, nor made responsible for anything that might happen to her, but considering it all in the end they agree to it

only for her to reveal shes had a small bottle of it already, along with multiple samples of the other types, which she collected when Eadrya was bleeding out into the harbor not knowing if they will survive, though not wanting to make use of it without their consent either way (they are actuallly rather touched by this)

alot later the main group returns here and it turns out to have worked (though she is unable to walk/bedridden for a long while bc it did alot of damage to her body, which can heal since its demons parts, but only really slowly bc she does not have a full functioning system and no demonic blood of her own -she uses the other samples for the healing process-) though its a little awkward to explain, especially considering that 13.1 took alot after Eadrya xD (their theory as to why it worked so "well" that time is that even though the sample was already taken, them giving their consent for it still made it less likely to be rejected; demons dont need partners to have offspring, and all can do it, they just have to decide to- so them agreeing to it, even though its long been outside their body, still had an effect on the blood sample)

[bonefall]

Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?

A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.

Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.

So, why?

Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.

He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.

Bumble, on the other hand...

Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.

But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.

It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.

More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.

Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.

It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.

All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.

I can't say for certain what that will look like for your story, but here's some things I keep in mind;

When you make characters who exist to die, make sure they're people before you axe them.

Ask yourself; what about them does the cast miss?

If they just miss them because they were (pre-existing relationship), go back to the drawing board.

Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.

Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.

If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?

Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.

And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.

If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.

"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.

"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?

When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.

[conlaluce]

thinking about diluc and kaeya each having their own complicated relationship with religion. crepus is a devout believer of the anemo archon, to me, so he definitely took his kids with him to mass at the cathedral, if not every sunday then at least once or twice a month.

diluc learned to pray from his father; learned to give thanks to the god who gave this city its freedom, the god who blesses them with gentle weather and bountiful lands and protects them from tyranny. he believes wholly and truly in the anemo archon's grace; his father does, after all, and everyone says barbatos is great and benevolent and kind and helped found the nation he loves so dearly.

kaeya doesn't like mass very much, but he never says so. it makes him uncomfortable, especially in the beginning, worshipping one of the gods that his homeland has reviled - but he wants to fit in, he doesn't want to lose his place here. and surely, surely, it would be a dead giveaway to his "true" allegiances if he refused to pray to mondstadt's god. so kaeya closes his eyes and pretends to pray, because better this than losing another home. (better this than failing his mission, than failing in his duty to khaenri'ah.)

and then, diluc's 18th birthday passes. ursa the drake attacks. crepus dies. diluc leaves mondstadt. kaeya is left, alone, the only ragnvindr left (except there aren't any, really, because he isn't a ragnvindr anymore, he isn't allowed to be.)

the first time diluc's vision starts to go out, the light flickering and fading and dying, kaeya prays. for the first time, he doesn't pretend, he doesn't close his eyes and clasp his hands together just for show - he prays.

please. please. let diluc live. please don't let him die. he can't die. i know you hate me, but you can't let him die, he's one of yours, isn't he? he's a child of mondstadt. he has to stay alive. save him, please, please-

(i can't lose him too)

diluc's vision never does go out all the way. it always retains its light, even if only slightly. maybe the anemo archon really did protect him. maybe barbatos answered kaeya's prayers.

sometimes, when diluc's vision is weak, kaeya prays. surely, barbatos will at least grant him this. surely, barbatos wouldn't be opposed to keeping a child of mondstadt safe.

when diluc finally comes back home, kaeya closes his eyes and whispers a quiet thanks to his god.

diluc, on the other hand, no longer prays. hasn't, since that day.

he doesn't think he deserves to.

kaeya said something, that night, about khaenri'ans being sinners. a people who have been condemned by the gods themselves for their sins. he said it so viciously, so bitterly, so sincerely. like he believed it, wholly and truly.

if you're a sinner, then what am i?

kinslayer. a failure of a knight. a man who could not save anyone when it mattered most, who raised a blade to his own family. killer of his own father, and nearly his brother, too. he has learned to kill without feeling the slightest hint of remorse, to steal and torture and deceive. he has committed so many atrocities he can no longer count them all. his sins are far worse than kaeya's have ever been, will ever be.

if you're a sinner, then so am i.

diluc doesn't pray anymore. he's a little scared to.

and besides, no gods would save him now, would they?

not with all the blood on his hands.

some time after his return to mondstadt, diluc starts attending mass again. every sunday, he enters the cathedral with the rest of the crowd, chooses a quiet spot in the back, and waits for the service to begin.

he doesn't pray.

when everyone else's heads are bowed together in prayer, diluc lowers his head to show respect, but his eyes are open. his hands lie still in his lap. he stares at the wood of the pews in front of him as the sister leading the service offers words of thanks to barbatos. he does not pray.

does he even deserve to ask anything of the gods now?

and then diluc finds out the annoying bard that frequents his tavern is actually a god. is actually barbatos. not just any god - his god.

his god trusts him to keep his human guise a secret. his god tolerates him enough to become a regular at his tavern and beg him for freebies.

okay. this is fine.

(vaguely, diluc wonders if it is heresy to say no when your god asks you for something. repeatedly. but their dynamic has been like this for months before venti's true identity was revealed, and the god has shown no indication of wanting to change that. so, for now, diluc will treat him the same as he always has.)

sometimes, he thinks about asking. asking venti - asking barbatos - if he would forgive diluc of his sins. if he deserves to be forgiven.

he never does ask.

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[femboymilkovich]

@gallacrafts Theme 37: Friendship!

That's my fuckin' best friend, that's my fuckin' right hand That's my fuckin' throw-up-in-the-bathroom-but-still-love-them That's my fuckin' best friend, best friend That's my fuckin' best friend, best friend That's my fuckin' lifeline, that's my ride or die like That's my fuckin' hate-you-but-you-know-that-that's-a-damn-lie Baby, you're my best friend, best friend Baby, you're my best friend, best friend (x)